Can Star Wars Sequel Trilogy Characters Succeed in the Disney+ Era?


Yet, the Sequels’ chances of a revival—demonstrably slim as they may be—might be boosted by Star Wars’ ironic transition from being the embodiment of theatrical spectacle to a primarily small screen franchise. Indeed, the only reported film project with any clear momentum, Rogue Squadron, is currently mired in an inauspicious state of flux after the departure of director Patty Jenkins. This, and the still-nebulous state of the box office, could potentially leave producers rethinking any return to the big screen for the near future, which raises the possibility that those resources could instead go to more television projects—perhaps even one set in the Sequel era. Certainly, those films have yielded several loose threads centered on the main trio of Rey, Finn and Poe, along with unfulfilled story arcs given to the likes of Kelly Marie Tran’s unassuming Resistance mechanic, Rose Tico, and even the non-existent arcs given to hyped characters like Naomie Ackie’s former stormtrooper, Jannah, and Keri Russell’s helmeted smuggler, Zorii Bliss. Yet, the question of motivation remains.

Disney has seemingly taken the smash success of The Mandalorian—which is set in the years immediately following Return of the Jedi—as an indication that viewers widely remain connected to the Original Trilogy era, as evidenced by direct-spinoff The Book of Boba Fett, along with the subsequently-arriving Obi-Wan Kenobi—which, despite starring Prequel Trilogy actors Ewan McGregor and Hayden Christensen, will be set about a decade before A New Hope. Additionally, even farther down-docket series Ahsoka will also be set in that general timeline real estate, cementing what seems to be an impenetrable Original Trilogy focus. That, however, could eventually change, thanks to both the current streaming-serial-centric state of the franchise on Disney+ and the inevitably-creeping power of generational nostalgia. After all, tastes tend to change as time progresses, and even the most egregious old wounds (admittedly, not a flattering metaphor for the Sequels,) have been known to heal.

However, before that rose-colored-glasses effect can take hold, the Sequels also have to overcome bad PR from within, notably from star John Boyega, who played Finn. Indeed, after 2019 closer The Rise of Skywalker was about a year in the rearview mirror, star John Boyega vocally criticized the anti-climactic handling of his character, who—initially presented as a co-protagonist in The Force Awakens—was gradually phased into the background in a move he believes retroactively rendered his character as a token who was unceremoniously discarded when he no longer proved expedient to the trilogy’s increasingly-convoluted plot.

“I would say to Disney is do not bring out a black character, market them to be much more important in the franchise than they are and then have them pushed to the side,” said Boyega back in 2020. “It’s not good. I’ll say it straight up.” Yet, Finn’s unsatisfying arc was just one of several clear missteps attributed to a lack of story cohesion, which saw the films go from director J.J. Abrams to a thematically-divergent middle act written and helmed by Rian Johnson to an eleventh-hour decision to remove appointed closing director Colin Trevorrow in lieu of a rushed, hastily-re-scripted return tenure by director Abrams. However, one could take this notion as something that would further motivate Lucasfilm and the Disney machine to attempt a rehabilitation of sorts by way of better-focused television shows centered on the Sequels and its characters—if anything, for the sake of the company’s long-term interests.

Regardless, Star Wars is continuing its Disney+ era with The Book of Boba Fett, which launches its weekly streaming run on Dec. 29. After that, 2022 will yield more OT-adjacent offerings such as Obi-Wan Kenobi, Andor and, potentially, Ahsoka.   

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